Friday, March 30, 2007



Grant Green (guitar); McCoy Tyner (piano); Bob Cranshaw (bass); Elvin Jones (drums) 1965
Includes one the most wicked versions of Rodgers and Hammersteins' classic ...
"My Favorite Things"

1. Matador
2. My Favorite Things
3. Green Jeans
4. Bedouin
5. Wives And Lovers


Amancio D’Silva Konkan Dance 72 - 74

1: A Street In Bombay 10:42
2: What Maria Sees 7:43
3: A Song For Francesca 13:13
4: Konkan Dance 8:23

Amancio D’Silva: Acoustic & Electric Guitars & voice
Alan Branscombe: Flute, Vibes and Electric Piano
Don Rendell: Sax
Piano: Stan Tracy
Sitar: Clem Alford
Tabla: Keshav Sathe or Mick Ripshar
Bass: Toni Campo

Wednesday, March 28, 2007


Jimmy Smith ~ Livin' It Up


1. Mission Impossible
2. Refractions
3. The Gentle Rain
4. Burning Spear
5. Go Away Little Girl
6. Livin' It Up
7. This Nearly Was Mine
8. Big Boss Man
9. Valley of The Dolls


Arr & conducted by Oliver Nelson


Lots of covers, lots of strings but also the absolute killer track , Refractions written by Oliver Nelson , one of my fave albums

Thursday, March 22, 2007




Dave Pike Set Infra Red 1970 MPS

A1 Suspicious Child (3:57)
A2 Attack Of The Green Misers (7:10)
A3 But Anyway (5:08)
A4 Rabbi Mogen's Hideout (3:53)
B1 Raga Jeeva Swara (2:57)
B2 Send Me The Yellow Guys (7:15)
B3 Soul Eggs (2:40)
B4 Infra Red (5:50)

Monday, March 19, 2007



Singers Unlimited _ Four Of Us (1973) MPS

Side A: We've Only Just Begun/It Could Happen to You/Soon It's Gonna Rain/Where is Love/My Ship

Side B: You've Got a Friend/Jennifer's Rabbit/Look Around/Snowfall/If


Get it here

Saturday, March 03, 2007




BELSTA RIVER - Gabor Szabo 1978
Gabor Szabo, Janne Schaffer (g); Wlodek Gulgowski (p,el-p,synth); Pekka Pohjola (b); Malando Gassama (cga,per); Peter Sundell (d).

a. 24 Carat (Gabor Szabo) - 14:00
b. Django (John Lewis) - 4:00
c. First Tune in the Morning (Gabor Szabo) - 13:22
d. Stormy (B. Buie/J.R. Cobb) - 8:25

"BELSTA RIVER does not wear the dated shackles of so much "jazz" made in 1978. While rife with the electronic instrumentation and (somewhat) danceable beats of its predecessor Faces and the final album which follows Femme Fatale, there is an abundant sense of invention and interplay here lacking in Szabo's American recordings at the time. The long tunes allow for plenty of blowing and a refreshing opportunity for expression.
"24 Carat" starts as little more than a jam on a riff (partially borrowed from Tony Dumas's "It Happens"), ignited by the bassist and chockful of vamps familiar to the guitarist. But it's worth noting how much Szabo seems to feel at home here; craftily weaving a fabric of moods into a genuine musical frenzy. Gulgowski and Pohjola, spellbound and spellbinding, solo impressively.
Likewise, "First Tune In The Morning" adds a twist of dark funk (courtesy of Pohjola) It is a mesmerizing concoction wherein Szabo, Schaffer and Gulgowski's keyboards stir a lavish, infectious brew."
from Doug payne